Following two outstanding (though largely monotone) records, Rancid's third offering is a smorgasbord of styles, tones, and moods. It is the first record that Tim Armstrong and Matt Freeman had included ska styles on since their days in Operation Ivy, and it is also the first album where guitarist Lars Fredriksen seems to feel at home within the band. These are four guys that clearly love playing music with one another, and sincerely adore what they are doing. The sheer enthusiasm is infectious, and it makes this not only one of the best records of Rancid's career, but one of the best punk rock records of the 1990's.
The cover art is clearly paying homage to the legendary cover of the first Minor Threat E.P., on which Ian MacKaye's brother Alec is sitting on a set of concrete steps with his head down. In this case it is Fredriksen, and his mohawk and tattoos mark the difference between the scenes and generations in which both of these bands came from. This album cover became so instantly iconic, that many people might not have even known the fact that it was a tip of the hat to an older record cover.